Heidegger and the world of the work of art: discussion

Summary

Collection(s)	Collection(s) DC Faculty Research & Scholarship
Content type	Content type Digital Document
Resource Type	Resource Type Text
Genre	Genre article
Language	Language English
Peer Review Status	Peer Review Status Peer Reviewed

Persons and Affiliations

Persons	Author (aut): Bruin, John

Origin Information

Date Created/Date Issued	1992
Publisher	Wiley on behalf of the American Society for Aesthetics

Abstract/Description

Abstract	Abstract Examines the ambiguity of the term "work" in Martin Heidegger's famous essay "The Origin of the Work of Art," which can be misleading both in English and German. The overly narrow notion of the world is for Heidegger precisely the world in the fullest sense of the word; Why Heidegger turns to ancient art.

Publication/Container Information

Publication Title	Publication Title The Journal of Aesthetics and Art Criticism
Publication Number	Publication Number Volume 50, Issue 1
Publication Genre	Publication Genre journal

Identifiers

DOI	DOI 10.2307/431067
ISSN	ISSN 0021-8529

Notes

Note

Note	type of work: Discussion

Note	publication status: Final article published.

Access and Rights

URL	URL https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip%2Csso&db=a9h&AN…
Identifier URI	Identifier URI https://www.jstor.org/stable/431067
Use and Reproduction	Use and Reproduction ©2001 Wiley-Blackwell.
Rights Statement	Rights Statement IN COPYRIGHT - EDUCATIONAL USE PERMITTED

Subjects and Classifications

Keywords	Keywords Heidegger philosophy
Subject Topic	Subject Topic Heidegger, Martin, 1889-1976. Ursprung des Kunstwerkes Heidegger, Martin, 1889-1976--Criticism and interpretation Art--Terminology Art--Philosophy

Relationships

Cite this